Chord of the Week 07
This week I thought we’d break out a Dominant chord with an ambiguous quality. Is it a sus4 or just a plain old 7th? It’s both. Since it sounds so […]
This week I thought we’d break out a Dominant chord with an ambiguous quality. Is it a sus4 or just a plain old 7th? It’s both. Since it sounds so […]
The following chord is the not so beautiful (but beautiful) voicing for a C Maj 7 or A-7. In the case of C major, it is not always easy to […]
Here’s a major chord with a modern sound, courtesy of the whole step in the middle of the voicing. You could also use it for G- (the relative minor). Further […]
This week’s chord was not aired on CBS during the Super Bowl, but instead can be aired by you any time you want. It is shown here as a Bb7 […]
Since last week’s chord was extra crunchy, I’ll follow it with a very pretty voicing (at least I think so) for a Major 7. Notice that it doesn’t have the […]
This voicing is the only known cure for [insert name of condition here]. Play it over A7, Gb7 and Eb7 as well as C7.
This week’s chord voicing is eminently (I get paid by the syllable) usable as a CMaj7 or A-7 (9). It could also be played over a D root to get […]
Andrew Green is a guitarist, author, and arranger residing in New York City. A professional musician since the age of 15, he has played with Donald Byrd, Billy Hart, Joanne Brackeen, Marion Cowings, Mat Maneri, John McNeil, Winard Harper, Chip Jackson, Matt Wilson, Danny Mixon, Ralph LaLama, and Sound Assembly among others. He is the […]